MANET: MONET IN HIS FLOATING STUDIO (fine art reproduction) - $333 (London)

MANET: MONET IN HIS FLOATING STUDIO (fine art reproduction) 1 thumbnailMANET: MONET IN HIS FLOATING STUDIO (fine art reproduction) 2 thumbnailMANET: MONET IN HIS FLOATING STUDIO (fine art reproduction) 3 thumbnail
condition: good
Monet in His Floating Studio. (1874) by Edouard Manet

This "artagraph" reproduction in vintage frame will add a touch of class to any room !

The art is in good overall condition; the frame has some blemishes due to age (as do many
paintings in galleries and museums) and may be enjoyed as is, or restored should you wish.

30 inches x 35.5 inches


Painted at Argenteuil, this is the more finished and probably the earlier of two attempts Manet made
at the subject. In July and August 1874 he spent several weeks at his family's property at Gennevilliers,
located on the opposite bank of the Seine to Argenteuil, where Monet was then renting a studio. Manet
painted a canvas of the Monet family in their garden, a work that captures the care-free atmosphere of
the period. The painting shown here depicts the purposebuilt boat that Monet used for painting many of
his scenes of the Seine.

He had taken the idea from the landscape painter Charles-Francois Daubigny, who had had a similar
construction built for the same use. Seated in the little cabin is Monet's wife Camille, who looks on as
her husband works. Beneath the shade of the awning Monet paints a scene that can be seen over his left
shoulder: the river with houses along its bank and factories in the distance. To the right and in the
background can be seen the more usual sort of pleasure boat found on the river.

The style of execution shows the influence of Manet's younger Impressionist colleagues, and the water
on the left is painted in broad, distinct brushstrokes of differing colors. However, the freedom of execution
is looser than most of Manet's other works of this time and must in part be attributed to the fact that he
abandoned the work, as he did the other version. It is said that Manet was reluctant to waste so much of
Monet's time by having him sit to him, and thus for his other river scenes he used models whose time he
thought less precious. The very sketchy variant of this work shows the two figures more formally posed
than here.


post id: 7740205116


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